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WAZIFAH O4A
08:32
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2. |
WAZIFAH 2M1
02:30
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3. |
WAZIFAH 7AM
14:24
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4. |
WAZIFAH 12BM
02:24
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5. |
WAZIFAH O1A
04:08
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6. |
WAZIFAH O2A
08:46
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7. |
WAZIFAH 31A
05:10
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8. |
WAZIFAH 1M2
05:04
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scatterArchive Glasgow, UK
since 1994
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supported by 19 fans who also own “WAZIFAH volume 3”
Despite the length and variety offered by this release, a few general techniques or patterns are present throughout. Most notable is the interaction between Thomas and Wright, with the former playing in his signature dense and percussive style while the latter provides bursts of gritty notes on the alto. Wright’s wailing is an unconventional counterpoint to Thomas’s classicism. https://avantmusicnews.com/2024/04/06/amn-reviews-%d8%a3%d8%ad%d9%85%d8%af-ahmed-giant-beauty-2024-bandcamp/
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Duo in Concert
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The uncertainty of the next moment and the perfect choice of expression, intensity and tension. This record is not only of historical value, it is the equivalent of seeing a phenomenon that has never been seen before. A fundamental thing.
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Free jazz saxophonist explores negative space on a vast, improvised work recorded in a L.A. parking structure.
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This experimental release from Bridges of Königsberg is electroacoustic noise at its most playful and expansive.
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The Organ That Breathes
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A striking new work from Alex Ring Gray finds the composer transforming his saxophone into a living reed organ.
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supported by 15 fans who also own “WAZIFAH volume 3”
This tribute really manages to capture Coltrane's spirit. The improvisations on Coltrane's compositions are all excellent and so is the opener track which is inspired by Coltrane's work but not one of his compositions. Absolutely worth listening!
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